SPELLING BY RUNES (today's free ebook: Bad Spelling)
What is a rune? Besides my second most
important character in the Witches of Galdorheim series, that is.
Briefly, runes make up the oldest Norse alphabet. Yes, those Vikings
were busy writers as well as raiders and looters. The Eddas are Norse
adventure novels (okay, they’re generally written in poetry form).
But well-known books such as Beowulf weren’t written in runes.
Believe it or not, Beowulf was written in Old English, not Old Norse.
Or maybe that’s the only translation that lasted through the
centuries.
Many fantasy novels based on
Euro-centric mythologies use runes in their plots, be it a tattooed
rune on the hero’s chest, the discovery of a runic tablet that
leads a worthy band of heros on a quest for dragon’s gold, or a
villain who casts his dark spells in the ancient runic language. All
very cool stuff.
Runes are not just fantasy made up by
Tolkien. I researched runes and found a few I could use to give some
depth to the magical language of the witches.
Elder Futhark is the oldest known runic
alphabet. Each rune has a name. Each rune is also a word of power.
The Rune markings in the graphic (see below) match the interpreted
Elder Futhark (the Runes in spoken form) shown in the excerpt. The
name of the language comes from the first six letters that make up
the Runic alphabet.
In one sense, Futhark is simply an
alphabet like ours. But in terms of magic, runes are like
hieroglyphics in that each rune stands for a word or concept rather
than simply a letter of the alphabet. They can be used either way. In
magic, the runes are used as words of power which enhance or direct a
spell. I found a handy phrase chart and used some real runes in the
series, but had to use the interpreted spelling in a form one can
sound out even if you don’t know what they mean.
As language developed, written runes
were set aside for the more modern Roman alphabet. But the use of
runes as words of power survived even Roman conquest thanks to the
Druids, the ancient pantheistic religion later smeared by accusations
of witchcraft and magic.
Well, witchcraft and magic are fine by
me. I wish they really existed. Considering the popularity of fantasy
books incorporating magic, I’d say a lot of people wish magic was
real.
In the Witches of Galdorheim books, I
decided to use runes as the magic language. I call it Old Runish.
Kat, in Bad Spelling, just can't get the pronunciation of the runes
right, mistaking îgwaz for perßô. The results are
often spectacularly wrong. In other words, she is a really bad
speller. Who can blame her? This is not the easiest language to learn.
Aunt Thordis is the top witch on
Galdorheim and a master of Old Runish spells. If magic can be done,
she’s the one who can do it. In the following excerpt, Thordis
seeks information from Kat’s flash frozen father. She wants to know
why Kat is such a lousy speller and suspects the girl’s father has
something to do with it. Thordis invokes a runic spell to break
through to the man’s frozen brain for answers. She must be careful,
however, since the spell is used to re-animate the dead. At the end
of the excerpt, you can read the translation of the spell. It’s
pretty creepy.
Excerpt from Bad Spelling:
Chapter 4-Bell, Book, and
Candle
Hands on her hips, Kat’s Aunt Thordis
stood in the glacier cave regarding the icebound figure of Boris, the
wandering Siberian. She tsked and shook her head.
“You poor, dumb—” She stopped,
thinking better of it. Speaking ill to the dead was rarely a
good idea. You never knew if they’d come back to get even.
“Boris,” she said, trying a
different tack, “we need to talk. Despite the fact you couldn’t
navigate your way around a bathtub and were so foolish you tried to
dig out an ice cave, my sister did fancy you, and you’re still my
niece’s father.”
She held her hand up with the palm
facing Boris. Thordis frowned. This might be harder than she thought.
Even though Thordis was the strongest witch in Galdorheim, she felt a
counter spell pushing at her, like a wall she couldn’t see but only
sense. Something around Boris repelled magic.
Thordis squared her shoulders and put
real effort into her second sight. Yes, she felt a slight tingle. As
she suspected, the icy grip of the glacier suspended the man between
life and death. If the witches thawed him out, he’d be d-e-a-d,
dead. As it was, he had frozen solid in the instant before he
died—the process of death incomplete.
“Ah, you’re still alive. Good.”
If Boris were truly dead, she’d not be able to have a conversation
with him. No matter what the circumstances, she wouldn’t delve into
the black arts. Necromancy—raising the dead—was near the top of
the black list.
Thordis removed Ferro, her ferret
familiar, from the top of her carryall and set him aside. He
chittered at her then hunched down on the ice shivering. She opened
the bag and rummaged through its contents. She drew out a little
silver bell, a black candle, and a copy of the Magical Book of
Runic Spelling.
The fifteenth century Church, Thordis
chuckled at the thought, believed they originated the rite of bell,
book, and candle. Equally humorous, they thought the items were for
an excommunication ceremony. Little did they know the monk who
created the ritual was one of her own—a warlock gone deep
undercover to keep a close eye on the Church. The very fact it took
twelve priests and a bishop to perform the rite didn’t ring any
bells with those silly men. Obviously, thirteen people gathered to
perform magic made a coven. The long-dead monk probably got a good
laugh at that.
Never
mind what the Church thought, the true purpose of the ceremony was to
communicate with, not excommunicate, the dead. Although Boris was
pre-dead, it would serve the same purpose. At least Thordis hoped so.
Boris knew things Thordis wanted to know, and she was determined to
pry them from his icy-cold brain. Thordis lit the candle, rang the
bell, and prepared herself to chant the spell to wake Boris. She’d
never talked to him when he was alive, since he was a mundane, and
any non-magical person was simply not worth her time. Now, she had to
find out a few things. Specifically, why was her niece so powerful,
yet so incompetent as a witch? If her spells just fizzled, she could
believe the girl just wasn’t trying.
Instead,
they failed spectacularly, and often messily, like her recent attempt
to transform the rabbit. Perhaps she could get some answers out of
Boris, even though she doubted he was intelligent enough to even
realize he had them.
When
she felt her magic to be at its peak, Thordis opened the book to the
chapter titled Speaking to the Dead. The incantation woke the dead,
so waking Boris should be a piece of cake. It also provided
translation services. After all, why try to speak to the dead if they
can’t understand what you’re saying?
“Þat
kann ec iþ tolpta,
ef
ec se a tre vppi
vafa
virgilná:
sva
ec rist oc i rvnom fác,
at
sa gengr gvmi
oc
melir viþ mic.”
But
nothing happened. She slowed down and spoke the spell with precision,
putting as much magical force as she could into it. Finally, she felt
the spell break through the barrier.
“Boris,
do you hear me?”
“Yes.”
“Good.
Your daughter is having…trouble becoming a proper witch. Of course,
I believe it’s your fault; well, maybe fault is too strong a word.
I suspect her poor performance has to do with having a mundane
father, but now I feel…something more.”
*
* *
Translation
of the rune spell:
I
know a twelfth one if I see,
up
in a tree,
a
dangling corpse in a noose,
I
can so carve and colour the runes,
that
the man walks
And
talks with me.
--From
the Hávamál, an Old Norse Edda (collection of proverbs) from the
10th
Century
A klutzy witch, a shaman's curse, a quest to save her family. Can Kat find her magic in time?
Can Kat find her magic in time? If you’re a witch living on a remote arctic island, and the entire island runs on magic, lacking magical skills is not just an inconvenience, it can be a matter of life and death–or, at least, a darn good reason to run away from home. Katrina’s spells don’t just fizzle; they backfire with spectacular results, oftentimes involving green goo. A failure as a witch, Kat decides to run away and find her dead father’s non-magical family. But before she can, she stumbles onto why her magic is out of whack: a curse from a Siberian shaman. The young witch, accompanied by her half-vampire brother, must travel to the Hall of the Mountain King and the farthest reaches of Siberia to regain her magic, dodging attacks by the shaman along the way.